{"product_id":"statuette-du-bouddha-rieur-en-obsidienne-oeil-celeste-budai","title":"Laughing Buddha Figurine in Celestial Eye Obsidian – Budai","description":"\u003ch3\u003e\u003cspan style=\"color: rgb(0, 170, 255);\"\u003e\u003cstrong\u003eLaughing Buddha in Mexican celestial eye obsidian – Budai seated on his sack, a unique handcrafted sculpture with green and purple iridescence and silver reflections, on a cedar base, symbolizing prosperity.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003eContractual photos and video, you will receive exactly this Laughing Buddha statuette in celestial eye obsidian\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(0, 170, 255);\"\u003e\u003cstrong\u003e📋 Technical specifications of this Laughing Buddha statuette in celestial eye obsidian\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003e🔬 As a gemmologist graduated from the National Institute of Gemmology (ING, Paris, France), I personally select and appraise the natural stones offered by Obsidian Dragons.\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e Each material is studied according to its gemmological characteristics, its structure, its quality, and its aesthetic appeal. For this statuette, particular attention is paid to the iridescence of the obsidian, the arrangement of its concentric patterns, and their integration into the sculpted volumes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e🗿 \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eRepresentation \u003c\/strong\u003e\u003c\/span\u003e:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Budai, the Chinese Laughing Buddha, depicted seated on his canvas sack.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003e💎 Material:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e natural celestial eye obsidian, natural volcanic glass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e🌎 \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eOrigin of the raw material \u003c\/strong\u003e\u003c\/span\u003e:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Mexico.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003e✨ Material characteristics:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e green and purple iridescence, concentric ring patterns, and the presence of silver obsidian sections within the same piece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003e🖐️ Craftsmanship:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003ehandcrafted sculpture, with a polished surface highlighting the character's contours and the optical effects of the obsidian.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003e🔹 Specimen:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e unique piece, characterized by the distribution of its natural patterns and its sculpted composition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003e🌳 Support:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e gnarled cedar wood base, accompanying the bottom of the sculpture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003e🧩 Assembly:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e removable statuette from its support. The sculpture and the base can be separated for observation, cleaning, and handling.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003e📏 Total height of the work with its base \u003c\/strong\u003e\u003c\/span\u003e:\u003cspan\u003e 26 cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e📐 \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eDimensions of the obsidian alone \u003c\/strong\u003e\u003c\/span\u003e:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e height of 22 cm, width of 10.5 cm, and thickness of 9 cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003e⚖️ Weight of the obsidian alone:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e 3 kg, or 3,000 grams.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e📐 \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eDimensions of the base alone \u003c\/strong\u003e\u003c\/span\u003e:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e height of 12 cm and horizontal dimensions of 14 × 9 cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003e⚖️ Weight of the cedar base:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e 655 grams.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003e⚖️ Total weight of the work:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e 3.655 kg, or 3,655 grams.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003e🔦 Observation of colors:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e the intensity of the iridescence and silver reflections varies with the lighting and viewing angle. The piece may appear darker under diffused light and reveal more of its colors under directional lighting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e📷 \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003ePhotographs \u003c\/strong\u003e\u003c\/span\u003e:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e the views show the offered specimen, its support, and different angles of the sculpture.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(0, 170, 255);\"\u003e\u003cstrong\u003eLaughing Buddha in celestial eye obsidian: a unique piece with iridescent and silver reflections on a cedar base\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eA round belly crossed by iridescence, a canvas sack turned into a seat, a smile that seems to extend into the reflections of the stone. This Laughing Buddha in celestial eye obsidian represents Budai seated on his sack, in a composition where the sculpture and the natural characteristics of the material complement each other. The concentric patterns of the belly find an echo in those of the sack, while the cedar wood support accompanies the silhouette with its gnarled forms and warm tones.\u003c\/p\u003e\n\u003cp\u003eThis substantial statuette is a unique piece, handcrafted from natural Mexican obsidian. The sculpture is removable: Budai can be removed from its cedar base to be observed from different angles.\u003c\/p\u003e\n\u003cp\u003eThe material has an additional feature: its green and purple iridescence is adjacent to silver-reflecting areas. This coexistence enriches the reading of the polished surface and gives this Budai statuette in obsidian a presence whose photographs reveal several aspects.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(0, 170, 255);\"\u003e\u003cstrong\u003eA handcrafted sculpture in obsidian, guided by the material\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe first appeal of this Laughing Buddha statue lies in the meeting between the volumes of the character and the patterns of the obsidian. This Laughing Buddha sculpture features a largely exposed belly whose domed surface accommodates the concentric rings. Further down, Budai's sack takes up this rounded organization and carries a second set of colored reflections. Between the two, the feet, hands, and folds of the garment give rhythm to the composition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe face retains an open expression. The squinted eyes, full cheeks, and smiling mouth give the character this warm familiarity that characterizes many representations of the Chinese Laughing Buddha. The sculpted details animate the volumes without erasing the large surfaces on which the optical effects manifest.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis handcrafted sculpted obsidian presents a double interest: that of an identifiable religious and cultural figure, and that of a material whose internal organization contributes to the artistic result. Lapidary sculpture here requires composing with the bands present in the raw material, their orientation, and the way they meet the curves of the subject.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe quality of this collectible sculpture is seen in the breadth of the patterns, their placement on the main face, the nuances visible under appropriate lighting, and the balance of the presentation. These concrete characteristics define the appeal of the handcrafted work and allow it to be appreciated beyond a commercial quality designation.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(0, 170, 255);\"\u003e\u003cstrong\u003eCelestial eye obsidian: a volcanic history preserved in glass\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eObsidian is a natural volcanic glass, generally originating from silica-rich lava. The composition of this lava, its high viscosity, and the conditions of its cooling can prevent widespread crystallization. The material then solidifies while retaining an essentially amorphous structure: at the atomic scale, it does not have the periodic organization of a crystal.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCooling must be understood in relation to the speed at which crystals could form. Viscosity and the history of the lava play a role as much as its heat loss. Obsidian can also contain tiny crystals and other inclusions within its glassy mass.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring flow, bands form, deform, and stretch. Some inclusions and some areas of different composition can align with the movement of the lava. The solidified glass retains traces of this history. The dark depth of natural obsidian can thus contain a very fine organization that cutting, polishing, and light make perceptible.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn lapidary vocabulary, the term celestial eye obsidian evokes these iridescent obsidians whose patterns can take on the appearance of an eye. The term rainbow obsidian is also used for materials presenting colored bands. These names describe an appearance and optical effects within the obsidian.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(0, 170, 255);\"\u003e\u003cstrong\u003eWhy do green and purple iridescence appear?\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eStudies of Mexican obsidians have revealed very small oriented crystals, notably of hedenbergite, a pyroxene containing calcium and iron, and, in other samples, plagioclase. The organization of these inclusions and internal interfaces can promote light interference.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen different fractions of reflected light overlap, some wavelengths are reinforced while others are attenuated. Colors then become visible depending on the structure encountered, the direction of the lighting, and the viewing angle. However, research shows that several mechanisms can occur depending on the iridescent obsidians: visual examination of a sculpture is not enough to precisely identify all its microscopic inclusions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOn this Laughing Buddha in celestial eye obsidian, the main face allows one to follow large green and purple patterns. The domed surfaces of the belly and the sack give these patterns a particularly expressive presentation. Their reading as rings depends on the meeting between the internal organization of the material, the geometry of the sculpture, and the observation conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe lighting of the iridescence is therefore part of the presentation of the obsidian. Under diffused light or from certain angles, the sculpture appears darker. A directional light source and a slight change in position can reveal more of its colors. The photographs required difficult adjustments to make these effects visible while maintaining a good reading of the character. They show the offered piece from several angles and with its support; the intensity of the reflections observed by you will also depend on the chosen lighting.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(0, 170, 255);\"\u003e\u003cstrong\u003eSilver sections within the celestial eye obsidian\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis work also features sections of silver obsidian, perceptible by their colder reflections. Their association with the colored bands constitutes a particularity of this specimen.\u003c\/p\u003e\n\u003cp\u003eThe term \"silver\" here qualifies an optical effect. In reflective obsidians, researchers have described different reflective structures, including oriented inclusions and flattened areas containing gas or glass of a different composition. The differences in optical properties between these structures and the surrounding glass can contribute to the observed reflections.\u003c\/p\u003e\n\u003cp\u003eIt is therefore appropriate to distinguish the multicolored iridescence from a silver reflection, even when they coexist in the same piece. Their common presence brings an additional variety to the material and to the gaze one casts on the sculpture. Each movement of the light can bring out another area, another fold, another transition between the black depth and the brilliance of the surface.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(0, 170, 255);\"\u003e\u003cstrong\u003eA Mexican celestial eye obsidian, among sources renowned for their iridescence\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eMexico has a geological context particularly favorable to obsidians. Its vast volcanic belt includes many centers that produced silica-rich lavas, with rhyolitic domes and flows. The west of the country, notably Jalisco and Nayarit, brings together several important regions for the study and exploitation of these volcanic glasses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe diversity of compositions and formation conditions contributes to that of the materials encountered. Jalisco is notably known for rainbow obsidians with large colored bands. Mexico's reputation lies in this variety and the remarkable appearance of certain specimens, whose lapidary work allows the patterns to be revealed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBeauty is then appreciated piece by piece: intensity of colors, readability of the patterns, condition of the material, and quality of its shaping. For this Laughing Buddha statuette, the origin of the raw material is Mexico; no more precise deposit is attributed to this specimen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eTo deepen the nature of this material, its history, its different origins, and the questions of identification,\u003c\/strong\u003e\u003c\/span\u003e \u003cbr\u003econsult our article dedicated to \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/obsidian-dragons.com\/blogs\/mineralogie-gemmologie\/obsidienne-formation-histoire-gisements-utilisation-contrefacons-et-usage-en-lithotherapie\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/obsidian-dragons.com\/blogs\/mineralogie-gemmologie\/obsidienne-formation-histoire-gisements-utilisation-contrefacons-et-usage-en-lithotherapie\" title=\"Link to: Obsidian, formation, history, deposits, use, counterfeits, and use in lithotherapy\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003eobsidian: formation, history, deposits, uses, counterfeits, and place in lithotherapy\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(0, 170, 255);\"\u003e\u003cstrong\u003eWho is Budai, the Laughing Buddha?\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eBudai 布袋 means \"canvas sack\". This name is linked to a Chinese monk called Qici 契此, whose memory was formed around the turn of the 10th century. The sack he carried became his most recognizable attribute, to the point of giving him his name in tradition.\u003c\/p\u003e\n\u003cp\u003eIn Chinese Buddhism, Budai has been recognized as a manifestation of Maitreya, the bodhisattva called to become the future Buddha of our world. This religious identity explains his place in temples and in the Chinese devotional imagination. The character represented here is therefore distinguished from Shakyamuni, the historical Buddha.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOver time, the smile, the exposed belly, and the familiar attitude of Budai have nourished interpretations around contentment, generosity, happiness, and welcome. His image has circulated between monasteries, homes, and spaces of daily life. In many Chinese temples of classic plan, he welcomes the visitor in the Pavilion of the Celestial Kings, at the entrance of the devotional path.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe meaning of the Laughing Buddha then takes on a particular depth. His smile invites us to loosen what makes us tense and to make room for an encounter. His contentment can become a reminder of an inner disposition: knowing how to receive, share, and look at what is already present.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eThis sculpture extends our study\u003c\/strong\u003e\u003c\/span\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/obsidian-dragons.com\/blogs\/culture-bouddhiste\/bouddha-rieur-budai-origine-signification\" style=\"color: rgb(43, 0, 255);\"\u003e« \u003c\/a\u003e\u003ca href=\"https:\/\/obsidian-dragons.com\/blogs\/culture-bouddhiste\/bouddha-rieur-budai-origine-signification\" title=\"Link to the blog: The Laughing Buddha is not the Buddha: who is Budai really?\" rel=\"noopener\" style=\"color: rgb(43, 0, 255);\" target=\"_blank\"\u003eThe Laughing Buddha is not the Buddha: who is Budai really?\u003c\/a\u003e\u003ca href=\"https:\/\/obsidian-dragons.com\/blogs\/culture-bouddhiste\/bouddha-rieur-budai-origine-signification\" style=\"color: rgb(43, 0, 255);\"\u003e »\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003e,\u003c\/strong\u003e\u003c\/span\u003e which explores his history, his iconography, his relationship with Maitreya, and his transformations in the cultures of Asia.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(0, 170, 255);\"\u003e\u003cstrong\u003eBudai seated on his sack: the rest of the monk with the canvas sack\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIn this composition, the seated Laughing Buddha rests on the large sack that accompanies him. This representation belongs to the repertoire of Chinese sculpture. It keeps the character close to his identity as an itinerant religious figure, carrying his few possessions with him.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBudai's sack can receive different interpretations depending on the works and traditions. Here, its presence under the body allows us to read a scene of rest: the traveler sits on what he carries. The object of travel becomes the support of a halt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe can see it as an invitation to contentment. The monk with the canvas sack has enough to stop and smile. This philosophical reading of the pose finds an echo in the sculpture: the belly and the sack compose two generous masses, united in a stable and welcoming silhouette.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe association of Budai with prosperity in Chinese popular beliefs has enriched his image with wishes of happiness and abundance. It accompanies the cultural meaning of this statue; each can recognize in it a wish for a more open life, sharing, and satisfaction.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(0, 170, 255);\"\u003e\u003cstrong\u003eA silhouette evoking a Chinese hulu gourd\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eSeen from the front, this Budai statuette presents a silhouette evoking a gourd: the belly and the sack draw two rounded volumes stacked, connected by the narrowing of the legs and the garment. The head finishes this vertical composition.\u003c\/p\u003e\n\u003cp\u003eThe rapprochement with the Chinese hulu gourd 葫芦 constitutes a formal reading of the work. It nevertheless opens an interesting correspondence with a symbol very present in Chinese arts.\u003c\/p\u003e\n\u003cp\u003eThe symbolism of the hulu associates several auspicious wishes. Its name is linked by sound play to fúlù 福禄, which evokes happiness and prosperity. Its numerous seeds and its prolific stems explain its link with offspring and family continuity. In Taoist iconography, the gourd carried by certain immortals can contain elixirs of long life; it thus participates in the themes of happiness and longevity. Popular uses also attribute to it a protective meaning for the home.\u003c\/p\u003e\n\u003cp\u003eThis kinship of form adds a possible resonance to the sculpture. Budai retains his Buddhist identity, while the form allows the eye to encounter another element of Chinese symbolic heritage.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(0, 170, 255);\"\u003e\u003cstrong\u003eWhy choose a Laughing Buddha in celestial eye obsidian?\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe meeting between Budai and obsidian first has a plastic strength. The large curves of the character welcome the reflections; the dark depth highlights the reliefs; the polish gives continuity to the belly, the cheeks, and the drapery. The natural stone sculpture acquires a presence that changes with the light.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this work, a Mexican volcanic material meets iconography from Chinese Buddhism. This association allows one to appreciate both a geological history and a cultural history. The provenance of the raw material, the nature of its optical effects, and the identity of Budai give the eye several paths to approach the same piece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA spiritual reading can extend this meeting. The iridescence sometimes requires one to stop, slightly move their point of view, and pay attention to what is revealed. Budai's smile accompanies this more available time. Contemplation becomes a way to inhabit the moment with less haste.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn an esoteric approach, the depth of the obsidian can also serve as a symbolic support for introspection, lucidity, and an intention of protection. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eChoosing this Laughing Buddha in celestial eye obsidian means being able to make these approaches coexist: observe a natural material, recognize a cultural figure, and give a place to contemplation in one's daily environment.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(0, 170, 255);\"\u003e\u003cstrong\u003eThe cedar base: another texture to extend the sculpture\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThe cedar wood support brings a visual warmth that responds to the dark tones of the obsidian. Its irregular shapes, its hollows, and its reliefs accompany the base of the sculpture. The contrast of textures allows one to distinguish the polish of the volcanic glass and the knotty character of the wood.\u003c\/p\u003e\n\u003cp\u003eThis obsidian statuette on a wooden base can be removed from its support. The assembly with a removable support allows one to examine the stone, its back, its profiles, and its lower part, while facilitating the separate maintenance of the two elements.\u003c\/p\u003e\n\u003cp\u003eThe height of the whole corresponds to its mounted presentation, the support welcoming a part of the base of the stone. The heights of the statuette and the base therefore do not simply add up.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(0, 170, 255);\"\u003e\u003cstrong\u003eWho is this collectible obsidian sculpture for?\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis work is for the Chinese art enthusiast, the sculpture collector, and the person who wishes to deepen their relationship with the figures of Asian Buddhism. It can accompany a practice of contemplation or find its place in a collection appreciated for its cultural and artistic richness.\u003c\/p\u003e\n\u003cp\u003eFor a collection of obsidians, its interest lies in the meeting of concentric patterns, green and purple nuances, and silver reflections in a figurative sculpture. The material can be looked at for itself, then rediscovered through the volumes of Budai.\u003c\/p\u003e\n\u003cp\u003eAs a collectible object intended for interior decoration, it is also suitable for a library, a living room, or a cabinet of curiosities where wood, stones, antique objects, and spiritual representations meet. Its presence can agree with a dark and warm universe, in which a few chosen lights give the materials their full place.\u003c\/p\u003e\n\u003cp\u003eAcquiring this statuette means choosing a precise specimen, whose drawings and presentation make its uniqueness. It can also be given as a gift to express a wish of welcome, generosity, and contentment, with the pleasure of transmitting the history of a character and that of its material.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(0, 170, 255);\"\u003e\u003cstrong\u003eWhere to place a Laughing Buddha to appreciate this work?\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe location of a Budai statue depends on the meaning one wishes to give it and the material conditions of its presentation. A console near the entrance can highlight the welcome. A piece of furniture in the living room or a library allows for regular observation. A space dedicated to contemplation can give it a more personal place.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAs a living room sculpture, this piece benefits from having a little space around it and a relatively sober background. As an office statuette, it can introduce a calm point of attention near the workplace. Its weight imposes in both cases a stable piece of furniture, deep enough and adapted to the load.\u003c\/p\u003e\n\u003cp\u003eTo highlight this celestial eye obsidian Buddha statue, choose a directional light and adjust its direction by observing the front face. A limited movement of the source can improve the visibility of the colored bands. The presentation must allow the eye to discover the variations of the material without being dominated by the white reflections of the lighting.\u003c\/p\u003e\n\u003cp\u003eIn certain contemporary uses of Feng Shui, Budai accompanies an intention of welcome, happiness, or prosperity. These uses give a meaning to the choice of location; their recommendations vary according to the approaches and do not constitute a universal Buddhist rule of orientation of the statue.\u003c\/p\u003e\n\u003cp\u003eAn interior with relatively stable humidity, away from a radiator and prolonged direct sunlight, will favor the conservation of the wooden support and its finish. In a devotional approach, a clean location, chosen with care and allowing a respectful relationship with the statue, suits this Buddhist presence.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(0, 170, 255);\"\u003e\u003cstrong\u003eMaintenance of the obsidian and the cedar support\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eTo clean an obsidian statuette, start by removing the dust with a very soft brush. Then, if necessary, pass a clean and soft cloth slightly moistened. A small amount of mild soap can help remove traces of handling; the residues must be removed with another damp cloth, then the surface carefully dried.\u003c\/p\u003e\n\u003cp\u003eThe maintenance of the obsidian must preserve the polish. Abrasive products and rubbing on hard dust risk marking the surface. Avoid shocks, sudden thermal variations, and steam or ultrasonic cleaning. The glassy nature of the material requires careful handling, particularly on the protruding elements.\u003c\/p\u003e\n\u003cp\u003eFor the maintenance of the wooden base, favor a soft brush and a dry cloth. The cleaning of the cedar must take into account its finish, on which depends the tolerance to water and other products. A systematic application of oil, wax, or furniture product could change the appearance of the surface; gentle dusting remains the common gesture to favor.\u003c\/p\u003e\n\u003cp\u003eSince the stone and the support are separable, preferably move them individually. Support the obsidian from underneath with both hands, above a protected surface, and check its proper positioning when you replace it on the base.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(0, 170, 255);\"\u003e\u003cstrong\u003eThe gaze of Obsidian Dragons: linking the material to its history\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAs a gemmologist graduated from ING Paris, I give an essential place to the description of materials, their optical phenomena, and the characteristics specific to each specimen. My path in China also nourishes the attention I pay to Buddhist and Taoist figures, their uses, and the meanings attributed to them.\u003c\/p\u003e\n\u003cp\u003eFor this Budai statuette, this approach consists of looking together at the nature of the obsidian, the presence of the bag, the expression of the character, and the possible readings of its silhouette. Gemmological rigor and the cultural approach then allow everyone to build a personal relationship with the object.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eTo discover other figures, other materials, and other expressions of Asian sacred art,\u003c\/strong\u003e\u003c\/span\u003e \u003cbr\u003ebrowse our \u003c\/span\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003ca href=\"https:\/\/obsidian-dragons.com\/collections\/statuettes-bouddhistes-en-bronze\" title=\"Link to the collection: Buddhist Statuettes – Authentic Buddhist Sculpture - Sacred Art\" rel=\"noopener\" style=\"color: rgb(43, 0, 255);\" target=\"_blank\"\u003e\u003cstrong\u003ecollection of Buddhist statuettes and sacred art sculptures\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBetween the depth of the volcanic glass, the lights of the obsidian, and the warmth of the cedar, this celestial eye obsidian Laughing Buddha offers a presence to look at over time. Budai's smile accompanies a material that reveals its nuances as one takes the time to observe it.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(0, 170, 255);\"\u003e\u003cstrong\u003eScientific and cultural references\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe gemmological explanations rely notably on the work of Chi Ma and his collaborators concerning the \u003c\/span\u003e\u003ca href=\"https:\/\/authors.library.caltech.edu\/records\/65d2z-fnq09\" title=\"External link to: Micro-analytical study of the optical properties of rainbow and sheen obsidians\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003eoptical properties of iridescent and sheen Mexican obsidians\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e, as well as the synthesis published by the GIA about the \u003c\/span\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003ca href=\"https:\/\/origin.prod.gia.edu\/gems-gemology\/summer-2025-phenomenal-gemstones\" title=\"External link to: Structures Behind the Spectacle: A Review of Optical Effects in Phenomenal Gemstones and Their Underlying Nanotextures\" style=\"color: rgb(43, 0, 255);\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003emicrostructures at the origin of the optical phenomena of gemstones\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e. The notices of the \u003c\/span\u003e\u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/42545\" title=\"External link to: Buddhist monk Budai\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003eMetropolitan Museum of Art dedicated to Budai\u003c\/span\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003cspan\u003e and the resources of the \u003c\/span\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003ca href=\"https:\/\/young.dpm.org.cn\/info\/350\" title=\"External link to palace museum of Beijing\" rel=\"noopener\" style=\"color: rgb(43, 0, 255);\" target=\"_blank\"\u003e\u003cstrong\u003ePalace Museum of Beijing on the hulu gourd\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e provide references for the historical and cultural reading of the sculpture.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(0, 170, 255);\"\u003e\u003cstrong\u003eFrequently asked questions about this Celestial Eye Obsidian Laughing Buddha Statuette\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch4\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eWill I receive exactly the statuette presented in the photographs and the video?\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eYes. The photographs and the video present the specimen offered for sale, with its cedar base. This handcrafted sculpture is a unique piece: the arrangement of the concentric patterns, the iridescence, and the silver parts belongs to this particular obsidian.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eIs this statuette carved from natural obsidian?\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eYes. It is carved from natural celestial eye obsidian from a Mexican raw material. Obsidian is a natural volcanic glass: this expression describes its structure and its geological origin. It forms when lava solidifies under conditions that limit the crystallization of its mass.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eWhy does obsidian sometimes appear black, then green or purple?\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eThe iridescence becomes visible when light meets the internal structures of the obsidian at a favorable angle. The appearance therefore varies with the lighting and the position of observation. A diffuse light can give a mainly dark perception, while a directional lighting reveals more of the green and purple rings. The photographs show several of these aspects.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eWhat do the silver parts visible in the stone represent?\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eThey correspond to areas presenting a silver reflection, which coexist here with the colored iridescence of the celestial eye obsidian. The word \"silver\" qualifies their optical appearance; it does not designate metallic silver. This association enriches the nuances visible on the sculpture when the light is varied.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eWho does this Laughing Buddha represent?\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eThis statuette represents Budai, the Chinese monk with a cloth bag, traditionally recognized as a manifestation of Maitreya, the future Buddha. His smile, his exposed belly, and his bag constitute characteristic elements of his iconography. He is distinguished from Shakyamuni, the historical Buddha at the origin of Buddhism.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eWhy is Budai represented sitting on his bag?\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eThe bag accompanies Budai in his identity as a traveling religious figure carrying his few possessions. Representing him sitting on it evokes a stop during the journey. This pose can also be read as an invitation to contentment and simplicity: what the monk carries becomes the support of his rest.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eDoes the shape of this statuette recall a Chinese hulu gourd?\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eSeen from the front, the superposition of the belly and the bag draws two rounded volumes that can evoke a hulu gourd. This closeness is part of a reading of the silhouette. In Chinese arts, the hulu accompanies notably wishes of happiness, prosperity, longevity, and family continuity.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eWhat spiritual meaning can be given to an obsidian Budai?\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eBudai can recall generosity, welcome, and the ability to feel contentment. In an esoteric reading, obsidian can be chosen as a symbolic support for introspection, lucidity, and protection. This work thus allows to associate the observation of a natural material with a personal approach of contemplation.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eIs the cedar base provided with the sculpture?\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eYes, the work is presented with its cedar wood base. The statuette is removable and can be removed from the support to examine its different faces or clean the two elements separately. The base welcoming a part of the base of the obsidian, their individual heights do not simply add up.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eWhere to place this celestial eye obsidian Laughing Buddha statuette?\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eAn entrance console, a library, a living room piece of furniture, or a desk can be suitable, provided it offers a stable surface, deep enough and adapted to its weight. A directional light allows to appreciate the iridescence. To preserve the wooden support, favor an interior away from direct heat and persistent humidity.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eShould a particular orientation be respected according to Feng Shui?\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eThe recommendations vary according to the approaches of Feng Shui and popular uses. Budai can accompany an intention of welcome, happiness, or prosperity, but no single orientation constitutes a universal Buddhist rule. Choose a location coherent with your approach and allowing to appreciate the sculpture well.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eIs this statuette suitable for a person who does not practice Buddhism?\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eYes. It can be appreciated for its material, its craftsmanship, its expression, and its cultural history. It is addressed as well to an obsidian collector as to a Chinese art enthusiast or a person wishing to introduce a contemplative presence in their interior. The knowledge of Budai allows to gradually enrich its reading.\u003c\/p\u003e","brand":"Obsidian dragons","offers":[{"title":"Default Title","offer_id":59837221044549,"sku":null,"price":988.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0625\/3841\/6327\/files\/statuette-du-bouddha-rieur-en-obsidienne-oeil-celeste-budai-obsidian-dragons-01.jpg?v=1792577410","url":"https:\/\/obsidian-dragons.com\/en\/products\/statuette-du-bouddha-rieur-en-obsidienne-oeil-celeste-budai","provider":"obsidian dragons","version":"1.0","type":"link"}